《南柯一梦》：MJ V8.2 东方巨物电影十二幕提示词
《南柯一梦》｜MJ V8.2 东方巨物电影系列
十二幕连续视觉叙事提示词整理版
一、项目统一设定
1. 核心概念
本系列以《南柯一梦》为叙事母题，建立一套统一的“东方巨物主义电影”视觉体系：
- 人物可变：十二幕不要求使用同一张脸，可根据每幕气质生成不同的年轻东亚女性角色。
- 造型风格统一：人物可以变化，但建议延续晚唐灵感的淡象牙白、雾蓝、极淡旧金刺绣、宽大长袖与飘带，让系列仍有整体感。
- 同一色彩体系：象牙白、雾蓝、褪金、香槟金、墨黑；后半段逐渐转为风暴蓝、灰白与低饱和色。
- 同一电影语言：写实中国电影质感、克制的超现实主义、体积光、大气透视、细微胶片颗粒。
- 人物始终极小：人物通常不超过画面的 3%–5%，巨物承担主要叙事。
- 巨物不是装饰：树、叶、宫城、桂花、月亮、蝴蝶与棋局共同构成人生荣枯和梦境尺度的变化。
2. 故事路径
槐下 → 入梦 → 南柯 → 槐安 → 荣华 → 盛梦 → 蝶梦 → 命局 → 梦崩 → 花谢 → 槐穴 → 梦醒
3. 尺度叙事
人 < 树 → 人 < 叶 → 人 < 建筑 → 人 < 花 → 人 < 月 → 人 < 天地 → 最终宏大王国缩回一个小小槐穴。
前半段巨物越来越大，后半段巨物逐渐破碎、消散。第十一幕突然反转尺度：梦中无比宏大的槐安国，不过是槐树根下的微小世界。
4. 统一画幅：为什么使用 --ar 12:5
十二幕场景统一使用：
--ar 12:5
12:5 等于 2.4:1，非常接近电影宽银幕的 2.39:1，但完全采用整数格式，能避免部分 Midjourney 输入端不接受小数比例的问题。超宽画幅也更适合表现：
- 极小人物与巨型主体之间的尺度反差；
- 横向延展的云海、宫城、叶片、棋盘与废墟；
- 大面积东方留白；
- 连续电影分镜和横版海报构图。
十二幕场景全部使用 --ar 12:5。如需单独探索人物造型，可使用竖幅 --ar 2:3，但无需把某一张脸固定到整个系列。
二、人物造型参考｜可选
这段提示词用于探索适合系列的女性人物气质与服装造型，并非固定人物母版。每一幕可以重新生成人物，只需大致保持古典、克制、低饱和的视觉方向。
cinematic character portrait of a young East Asian woman, around 23 years old, delicate natural oval face, softly defined jawline, subtle cheekbones, calm almond-shaped dark brown eyes, straight natural eyebrows, small straight nose, naturally shaped lips, long silky black hair, center-parted hairstyle with a few loose strands framing her face, minimal ancient Chinese golden hair ornament, quiet introspective expression, subtle melancholy,
natural translucent Chinese makeup, realistic luminous skin, visible natural skin texture, refined but not excessively beautified,
wearing an elegant late-Tang-inspired Chinese robe, pale ivory inner layer, misty blue outer robe, extremely subtle faded-gold embroidery, long flowing sleeves, long silk ribbons, elegant historical silhouette, understated luxury,
soft diffused side light, cinematic portrait photography, realistic human proportions, highly detailed eyes and skin, shallow depth of field, muted low-saturation palette, subtle film grain, timeless Chinese cinema aesthetic, 85mm portrait lens, f/1.8, photorealistic
--ar 2:3 --style raw --stylize 100 --chaos 2 --v 8.2
人物使用说明
- 十二幕可以使用不同女性角色，不需要 Character Reference、Omni Reference 或固定母版图。
- 人物之间可以在脸型、年龄感、发型和发饰上自然变化，但建议保持晚唐灵感服装、低饱和色彩与克制气质，以维持系列统一性。
- 人物是尺度参照和情绪载体，而不是画面主体。应始终保持极小比例，避免变成普通汉服人物写真。
- 若人物太小导致五官不够精细，可对选中结果局部重绘或放大，但不要因此破坏“人物极小、巨物主导”的构图。
三、东方巨物电影十二幕
01｜槐下 · 一梦初起
现实尚未完全进入梦境，唯一不正常的是：槐树巨大得像一座山。第一幕越安静，后面的梦境越震撼。
- 东方巨物：巨槐、山崖般树干、龙形巨根
- 情绪：静、克制、将醒未醒
- 构图：超远景低机位；巨槐占画面 80% 以上，人物低于 3%；一人、一树、一杯酒
Nanke Yimeng, opening scene, an impossibly enormous ancient Chinese scholar tree standing alone between heaven and earth, its colossal trunk resembling a weathered mountain cliff, gigantic exposed roots spreading across the earth like sleeping dragons, the enormous crown completely disappearing into pale clouds,
a young East Asian woman resting quietly beneath one colossal root, wearing a pale ivory and misty-blue Tang-inspired flowing robe, extremely tiny compared with the tree,
an ancient stone table beside her, a small ceramic wine cup, several fallen golden leaves,
late afternoon sunlight passing through the gigantic canopy, countless dust particles floating through shafts of light, distant mountains dissolving into atmospheric haze,
reality beginning to feel subtly impossible,
extreme wide establishing shot, low camera angle, colossal tree occupying more than 80 percent of the composition, human figure occupying less than 3 percent,
Oriental monumental surrealism, restrained Chinese dream aesthetics, photorealistic Chinese cinema, realistic ancient bark texture, volumetric sunlight, atmospheric perspective, muted ivory, faded gold, misty blue and ink-black palette, subtle film grain, immense sense of scale
--ar 12:5 --style raw --stylize 250 --chaos 4 --v 8.2
对应成图
02｜槐门 · 入梦
槐树根部出现巨大树洞，但它不是普通洞穴，而是一座天然形成、通往另一世界的月洞门。
- 东方巨物：巨型树洞、天然月门、云海瀑布
- 情绪：诱惑、神秘、跨越边界
- 构图：完美圆形框景；门洞占据主体，女主是门前极小剪影；现实暗、梦境明
Nanke Yimeng, entering the dream,
inside the colossal roots of the ancient scholar tree appears an impossibly enormous circular hollow, hundreds of meters tall, naturally forming a gigantic Chinese moon gate,
beyond the circular opening exists another impossible world,
endless pale mountains floating above a luminous golden sea of clouds, distant Tang dynasty palaces suspended between mountain peaks, enormous waterfalls falling silently into the clouds,
a tiny young East Asian woman standing directly before the colossal circular portal, wearing a pale ivory and misty-blue flowing Tang robe,
her long sleeves, hair and silk ribbons pulled toward the gateway by an invisible wind,
thousands of glowing golden scholar-tree leaves drifting through the portal,
the real world behind her dark and muted while the dream world beyond glows softly,
perfect circular framing, tiny human silhouette, monumental portal occupying most of the frame,
Oriental monumental surrealism, dream within reality, photorealistic Chinese fantasy cinema, volumetric light, atmospheric depth, enormous sense of scale
--ar 12:5 --style raw --stylize 300 --chaos 5 --v 8.2
对应成图
03｜一叶 · 南柯
真正进入巨物世界：叶片不是叶片，而是一整片漂浮大陆。
- 东方巨物：大陆般巨叶、道路般叶脉、湖泊般露珠
- 情绪：惊奇、诗意、孤独探索
- 构图：极高空俯视；巨叶横卧云海；人物沿中央叶脉行走，近乎微不可见
Nanke Yimeng, entering the mysterious dream kingdom,
an impossibly enormous golden scholar-tree leaf floating horizontally above an endless sea of clouds, several kilometers long, resembling an entire floating continent,
gigantic leaf veins transformed naturally into winding roads, valleys and mountain ridges,
tiny ancient Chinese pavilions, bridges and watchtowers scattered along the enormous veins,
colossal transparent dew droplets resting on the leaf like enormous crystal lakes, each droplet reflecting an inverted ancient Chinese palace city,
a tiny young East Asian woman walking alone along the central leaf vein, wearing a pale ivory and misty-blue Tang robe, her long sleeves blowing in the wind,
her body almost microscopic against the monumental leaf,
extreme aerial establishing shot, enormous negative space, endless mist beneath the floating leaf,
pale golden dawn, atmospheric perspective, monumental Oriental surrealism, photorealistic Chinese dream landscape, impossible scale, poetic silence
--ar 12:5 --style raw --stylize 350 --chaos 5 --v 8.2
对应成图
尺度转换：叶片 → 大陆；叶脉 → 道路；露珠 → 湖泊。
04｜槐安 · 天门
抵达大槐安国。不直接表现巨型蚂蚁，而是让蚁穴的几何结构与唐代宫城融合。
- 东方巨物：巨型根系宫城、百米天门、无尽石阶
- 情绪：敬畏、庄严、被宏大秩序吞没
- 构图：强对称正面构图；人物位于漫长阶梯最底端；根系与宫城层层升入云中
Nanke Yimeng, arrival at the mysterious Kingdom of Great Huai'an,
a colossal ancient Chinese imperial city emerging organically from the gigantic intertwined roots of the scholar tree,
enormous Tang dynasty palace architecture fused subtly with the geometric chambers and tunnels of an ant colony,
a monumental imperial gate hundreds of meters high rising between gigantic roots,
endless ceremonial stone stairs climbing upward through layers of clouds,
thousands of tiny glowing windows scattered across the enormous dark palace structure like stars,
massive faded-gold ceremonial banners descending from impossible heights,
a young East Asian woman standing alone at the very bottom of the stairs, extremely tiny, wearing a pale ivory and misty-blue flowing robe,
tiny distant figures ascending toward the palace,
dark ink-black roots, aged gold architecture, ivory mist,
monumental symmetrical composition, overwhelming scale, mysterious underground empire, Tang dynasty dream kingdom, photorealistic Chinese epic cinema, volumetric mist
--ar 12:5 --style raw --stylize 300 --chaos 5 --v 8.2
对应成图
05｜金桂 · 宫宴
进入荣华阶段：一朵桂花就是一座天空宫殿。这应当是整套最华丽的一幕。
- 东方巨物：覆盖天空的巨型金桂、花瓣宫殿
- 情绪：极盛、奢华、繁华中的寂静
- 构图：巨花横跨天穹并占满主体；人物站在高处露台；宾客、乐师与舞者如微尘
Nanke Yimeng, imperial dream banquet at the height of prosperity,
an impossibly enormous golden osmanthus blossom floating above an ancient Chinese imperial city, the colossal flower spanning almost the entire sky,
each translucent golden petal hundreds of meters long, resembling enormous celestial terraces,
magnificent Tang dynasty palace halls built delicately between the gigantic petals,
thousands of tiny warm lanterns glowing inside the colossal flower like stars,
a young East Asian woman standing on a high palace terrace, wearing a pale ivory and misty-blue Tang robe, her flowing robe spreading elegantly across the stone floor,
gigantic golden osmanthus petals slowly falling from the sky like enormous sails,
distant musicians, dancers and palace guests appearing microscopic beneath the flower,
champagne gold light passing through translucent petals, pale ivory clouds surrounding the palace,
magnificent prosperity yet strangely quiet and dreamlike,
extreme wide cinematic composition, colossal flower occupying most of the frame, monumental Oriental surrealism, photorealistic Chinese epic cinema, exquisite realistic petal texture
--ar 12:5 --style raw --stylize 350 --chaos 5 --v 8.2
对应成图
06｜月宫 · 盛梦
梦境抵达人生顶峰。荣华、孤独和不真实感同时出现，是整套的视觉最高点。
- 东方巨物：压满天空的巨月、月面巨槐
- 情绪：荣华、孤独、静穆、巅峰将逝
- 构图：极简横向画面；巨月几乎填满背景，女主是窄石台上的小点；大量负空间强化孤绝
Nanke Yimeng, the absolute height of the dream,
an impossibly enormous full moon occupying nearly the entire background, appearing extraordinarily close to the earth,
a colossal ancient scholar tree growing across the surface of the moon, its gigantic dark branches forming an elegant natural circular frame,
a young East Asian woman standing alone on a narrow elevated ancient stone terrace, extremely tiny against the monumental moon,
wearing a pale ivory and misty-blue Tang robe, her enormous flowing sleeves and long silk ribbons drifting slowly in the moonlight,
thousands of tiny golden osmanthus blossoms floating through the air,
ancient imperial palace rooftops barely visible far below through an endless sea of clouds,
quiet triumph, beauty, prosperity and loneliness existing simultaneously,
minimal monumental composition, enormous negative space, silver moonlight, pale gold, ivory and deep ink-black palette,
photorealistic Chinese poetic cinema, restrained surrealism, atmospheric perspective, subtle film grain, overwhelming celestial scale
--ar 12:5 --style raw --stylize 300 --chaos 4 --v 8.2
对应成图
07｜蝶影 · 梦中梦
从这里开始，观众应当感觉一切不再可靠。以庄周梦蝶式意象引出“梦中梦”。
- 东方巨物：横跨天际的半透明巨蝶
- 情绪：迷离、美丽、轻微不安
- 构图：巨蝶从地平线延伸到另一端；人物立于镜湖，人与蝶的倒影相互融合
Nanke Yimeng, dream within a dream,
an impossibly enormous translucent butterfly flying silently across the entire night sky, its gigantic wings spanning from one horizon to the other,
delicate patterns inside the translucent wings resembling ancient Chinese mountains, rivers, palace cities and faded landscape paintings,
moonlight passing through the colossal wings and illuminating the earth,
below the butterfly lies an endless shallow mirror-like lake,
a tiny young East Asian woman standing alone ankle-deep in the still water, wearing a pale ivory and misty-blue flowing Tang robe,
her reflection merging visually with the reflection of the enormous butterfly,
countless golden scholar-tree leaves floating silently across the water,
distant mountains almost disappearing completely into mist,
the gigantic butterfly casting an enormous moving shadow across the landscape,
beautiful yet subtly unsettling, Chinese philosophical dream imagery, monumental surrealism, enormous negative space, photorealistic cinematic lighting
--ar 12:5 --style raw --stylize 350 --chaos 6 --v 8.2
对应成图
08｜天局 · 命运如棋
人生开始转折。不是在桌上摆棋，而是让整个世界本身成为一张棋盘。
- 东方巨物：天地棋盘、山岳般黑白棋子、悬空白棋
- 情绪：命运、压迫、风暴前的停顿
- 构图：棋盘线延伸为通向地平线的道路；人物夹在两枚巨型黑棋之间；悬而未落的白棋压住天空
Nanke Yimeng, fate begins to turn,
an endless ancient Chinese Go board transformed into a monumental cosmic landscape extending toward the horizon,
gigantic black and white Go stones rising from the board like enormous smooth mountains, each stone hundreds of meters tall,
clouds and mist flowing slowly between the colossal stones,
the grid lines of the Go board transformed into enormous ancient roads disappearing toward distant mountains,
a tiny young East Asian woman walking alone between two gigantic black stones, wearing a pale ivory and misty-blue Tang robe,
tiny distant armies and ceremonial banners appearing microscopic along the grid lines,
one impossibly enormous white Go stone suspended silently in the darkening sky, moments before falling,
storm clouds gathering in the distance,
human destiny represented as an incomprehensible cosmic game,
ink-black, ivory, faded gold and storm-blue palette, monumental Oriental surrealism, extreme scale contrast, photorealistic Chinese epic cinema
--ar 12:5 --style raw --stylize 300 --chaos 6 --v 8.2
对应成图
关键视觉：天空中那颗还没有落下的白棋。
09｜国破 · 梦境崩塌
第五幕建立的繁华从内部瓦解。重点不是战争，而是“繁华自己崩塌”。
- 东方巨物：崩解的巨型桂花宫、山崖般坠落的花瓣、断裂悬桥
- 情绪：破灭、壮丽、不可避免的悲凉
- 构图：人物站在断裂露台边缘；巨型花瓣如山体从身后坠落；月亮被风暴云吞没
Nanke Yimeng, collapse of the dream kingdom,
the colossal golden osmanthus palace from the prosperous dream beginning to collapse across the sky,
gigantic translucent golden petals breaking apart like enormous falling mountain cliffs,
ancient Chinese palace towers slowly tilting and disappearing into storm clouds,
massive stone bridges fractured and suspended impossibly in midair,
thousands of glowing lanterns falling silently through darkness like dying stars,
a tiny young East Asian woman standing alone on the edge of a broken palace terrace, wearing a pale ivory and misty-blue Tang robe,
her long sleeves, black hair and silk ribbons violently blown by the storm,
one colossal golden petal falling directly behind her like a collapsing mountain,
the enormous moon being swallowed by dark clouds,
beautiful destruction rather than chaotic destruction, majestic melancholy, inevitable ending,
monumental Oriental surrealism, extreme cinematic scale, realistic destruction, atmospheric depth, photorealistic Chinese epic cinema
--ar 12:5 --style raw --stylize 350 --chaos 7 --v 8.2
对应成图
10｜花谢 · 万境皆空
第九幕激烈崩塌之后，第十幕突然完全安静，只剩一朵正在枯萎的巨大桂花。
- 东方巨物：横卧世界的枯萎巨桂、逐渐透明的宫殿
- 情绪：空、无常、消散、绝对寂静
- 构图：约 90% 留白、10% 内容；人物独自行于巨型落瓣；天空几乎纯白
Nanke Yimeng, everything in the dream fading away,
an impossibly enormous dying golden osmanthus blossom lying silently across an endless pale landscape,
its gigantic translucent petals stretching toward the horizon like fading mountain ranges,
the once magnificent ancient palaces embedded inside the petals becoming transparent and slowly dissolving into mist,
a tiny young East Asian woman walking completely alone across one colossal fallen petal, wearing a pale ivory and misty-blue Tang robe,
her figure almost invisible within the enormous empty landscape,
behind her, distant mountains, bridges, lanterns, palace towers and memories dissolving into countless tiny golden particles,
no other people remain,
the sky almost completely white,
soft wind carrying the final fragments of the dream away,
extreme minimalist composition, enormous negative space, profound silence and impermanence,
pale ivory, faded champagne gold and misty blue, photorealistic Chinese poetic cinema, monumental scale, subtle film grain
--ar 12:5 --style raw --stylize 300 --chaos 4 --v 8.2
对应成图
11｜槐穴 · 原来如此
完成全剧最重要的一次尺度反转：梦中无比巨大的槐安国，原来只是树根下面的一座小小世界。
- 东方巨物：现实中的巨槐与巨根；与之对照的微型王国
- 情绪：悟、恍然、平静揭示
- 构图：现实与梦境同框；女主在地上俯视根间微光；酒杯、石桌和午后光线重新出现
Nanke Yimeng, revelation of the true dream,
beneath the colossal ancient scholar tree, gigantic exposed roots form an intricate underground labyrinth,
between the enormous roots lies an incredibly tiny hidden kingdom resembling an elaborate ant colony,
miniature Tang dynasty palace halls, tiny gates, roads, bridges and glowing chambers hidden inside the earth,
all the magnificent palaces and cities that appeared monumental within the dream are now revealed to be microscopic,
a young East Asian woman standing beside one enormous scholar-tree root above ground, wearing a pale ivory and misty-blue Tang robe,
she quietly looks down toward a tiny glowing opening between the roots,
the small ceramic wine cup still resting beside the ancient stone table,
late afternoon sunlight returning,
reality and dream visible simultaneously within the same composition,
dramatic reversal of scale, Chinese philosophical surrealism, photorealistic cinematic landscape, monumental ancient tree, quiet revelation
--ar 12:5 --style raw --stylize 250 --chaos 4 --v 8.2
对应成图
12｜梦醒 · 一叶落
最后一幕与第一幕完全呼应：第一幕是“即将入梦”，这一幕是“已经知道”。画面应当是全套最简单、最安静的一张。
- 东方巨物：回归现实的巨槐、一片落叶、根间微光
- 情绪：寂、醒悟、无常、余韵
- 构图：巨槐再次占画面 80% 以上，人物低于 3%；一片叶子穿过巨大空白；暖酒与根间微光暗示梦并未完全消失
Nanke Yimeng, final awakening,
the same impossibly enormous ancient scholar tree from the opening scene standing quietly between heaven and earth,
late sunset after a brief rain, soft golden light touching the enormous wet roots,
a young East Asian woman slowly awakening beneath the colossal tree, sitting quietly beside an enormous root, wearing a pale ivory and misty-blue Tang robe,
the small ceramic wine cup beside her still appears warm,
one single golden scholar-tree leaf falling slowly through the enormous empty space above her,
between two roots, a tiny distant hollow contains an almost invisible warm golden light,
everything else from the magnificent dream kingdom has completely disappeared,
vast empty landscape, colossal tree occupying more than 80 percent of the frame, woman occupying less than 3 percent,
quiet realization that an entire lifetime may have passed inside a single dream,
extreme minimalist Chinese poetic composition, soft sunset, faded gold, muted blue-grey and ivory palette, realistic natural light, subtle film grain, photorealistic Chinese cinema, profound silence and impermanence
--ar 12:5 --style raw --stylize 200 --chaos 2 --v 8.2
对应成图
四、十二幕视觉关系汇总表
| 幕 | 名称 | 东方巨物 | 核心情绪 | 构图要点 | 叙事功能 |
|---|---|---|---|---|---|
| 01 | 槐下 · 一梦初起 | 巨槐、巨根 | 静 | 树占 80% 以上，人物低于 3%，低机位远景 | 现实起点，埋下异常尺度 |
| 02 | 槐门 · 入梦 | 巨型树洞／月门 | 入梦 | 圆形框景，现实暗、梦境明 | 穿过现实与梦的边界 |
| 03 | 一叶 · 南柯 | 巨叶、巨露珠 | 奇 | 高空俯视，叶片横卧云海 | 建立梦境的空间尺度 |
| 04 | 槐安 · 天门 | 巨型根系宫城 | 敬畏 | 正面对称，人物位于无尽阶梯底端 | 进入宏大秩序与权力中心 |
| 05 | 金桂 · 宫宴 | 巨型桂花宫殿 | 极盛 | 花覆天空，宫宴人物如微尘 | 荣华达到最华丽阶段 |
| 06 | 月宫 · 盛梦 | 巨月、巨树 | 荣华／孤独 | 巨月压满背景，人物孤立于窄台 | 全剧视觉与人生高点 |
| 07 | 蝶影 · 梦中梦 | 遮天巨蝶 | 迷 | 镜湖倒影与蝶影融合 | 暗示梦境的不可靠性 |
| 08 | 天局 · 命运如棋 | 巨型围棋 | 命运 | 棋盘成天地，白棋悬空未落 | 人生转折，命运开始压迫 |
| 09 | 国破 · 梦境崩塌 | 崩毁巨花与巨宫 | 破 | 断台、坠瓣、风暴吞月 | 荣华从内部自我瓦解 |
| 10 | 花谢 · 万境皆空 | 枯萎巨桂 | 空 | 90% 留白，人物行于落瓣 | 梦境与记忆彻底消散 |
| 11 | 槐穴 · 原来如此 | 巨槐 vs 微型王国 | 悟 | 地上地下、现实梦境同框 | 完成尺度反转并揭示真相 |
| 12 | 梦醒 · 一叶落 | 巨槐、一片落叶 | 寂 | 回到首幕构图，空白中一叶落下 | 叙事闭环，留下无常余韵 |
五、连续生成与选片建议
- 优先把 01、03、05、06、09、10、12 作为七张主视觉；其余五张承担故事连接。
- 每幕可以独立生成人物；通过相近的服装色系、体量比例和电影调色维持整体感。
- 第一幕与第十二幕尽量保持相似机位、树根位置、石桌和酒杯关系，形成明确首尾呼应。
- 第五幕必须是全套最华丽的一幕，第六幕是尺度与情绪的最高点，第九幕是最强烈的破裂，第十幕则突然归于极静。
- 统一低饱和电影调色，不要出现高艳度仙侠游戏质感、卡通风、夸张盔甲或复杂皇冠。
- 超宽构图中始终让巨物承担 70%–90% 的视觉权重；不要把画面做成普通汉服人物写真。
最终视觉逻辑是：荣华富贵在梦中看似比天地更宏大，醒来却不过槐下一瞬。